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The Opening of Misty Beethoven (1976)

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Video Transcription

Krestend Films presents

Opening Miss Tepethaven.

Starring Konstantin Munnick, Jamie Gillies, Jacqueline Bodan, Terry Hall, Russ King, Gloria Leonard, Casey Donovan and the others.

Screenplay by Jake Barnes

Editing Bonnie Caryn.

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janvier57
janvier57 8 months ago
★ Jenny Blair AKA Anita Graf

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janvier57
janvier57 8 months ago
★ Mary Stuart AKA Margery Stewart

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janvier57
janvier57 8 months ago
★ Marlene Willoughby AKA Jane Lindsey

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janvier57
janvier57 8 months ago
★ Gloria Leonard AKA Aria Ola

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janvier57
janvier57 8 months ago
★ Terri Hall AKA Tari Hall

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xinbanben1999
xinbanben1999 2 years ago
very hot, love it
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B
Bluebottle40 2 years ago
Whoever told them to cut at 20:55 should have been slapped with spiked boots! That scene should have been alot longer than a couple of mins.
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aztekler
aztekler 2 years ago
harika
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venomlegions2
venomlegions2 2 years ago
The only porn films to even approach Misty Beethoven either visually or in terms of the appearance of having a lavish budget were Insatiable, to a lesser extent Story of Joanna (with its palatial setting), and if you count it as such, Metzger’s own borderline “very hard R” effort The Image. This is truly mind boggling stuff, particularly given the general standards of the competition even at the high point of the aforementioned “porno chic” Unlike Metzger's The Image, there is little about Misty Beethoven that is actually erotic, in a proper sense. Like a European softcore film, it may titillate, but never really follow through in the sense of the average fuck film. It’s hard if not impossible to see your stereotypical lonely guy using this as a tool to actually get off – it’s the apertif to set the mood, not the main course, as it were. In the end, like all the best film experiences, Misty Beethoven is ultimately exactly what you make of it. Hardly the sort of porn film for lonely guys to get off to, it’s still hardcore, and as such may or may not be the sort of thing you pull out to share with your girlfriend one evening, depending on how adventurous a couple you are. More of an art film, a Euro-cult film, or even a romance than what we’ve come to expect as a porno film, it is simultaneously too hardcore for the crowd that would likely be more inclined towards that end of the filmic equation and too high class, artistically inclined, or even snooty for the average porn aficionado. Ultimately, this is a rare and unique hybrid, designed and marketed to a small and rarified demographic: the Decadent aesthete, the artistically inclined, cultured personage who does not balk with Puritanical shock and disdain at free sexual expression.
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